Guillermo del Toro | |
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Guillermo del Toro at the San Diego Comic-Con International in July 2010. |
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Born | Guillermo del Toro Gómez October 9, 1964 Guadalajara, Jalisco, Mexico |
Occupation | Director, producer, screenwriter |
Years active | 1984–present |
Guillermo del Toro Gómez (Spanish pronunciation: [ɡiˈʎermo ðel ˈtoɾo ˈɣomes]; born October 9, 1964) is a Mexican director, producer, screenwriter and designer. He is mostly known for his acclaimed films, Pan's Labyrinth and the Hellboy film franchise. He is a frequent collaborator with Ron Perlman, Federico Luppi and Doug Jones. His films draw heavily on sources as diverse as weird fiction, fantasy and war.
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Del Toro was born in Guadalajara, Jalisco, Mexico. He studied at the Instituto de Ciencias, University of Guadalajara.[1] Del Toro first got involved into filmmaking when he was about eight years old and studied special effects and make-up with SFX artist Dick Smith.[2] He participated in the cult series La Hora Marcada along with other renowned Mexican filmakers such as Emmanuel Lubezki and Alfonso Cuarón.
He spent eight years as a special effects make-up designer, and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later on in his directing career, he formed his own production company, the Tequila Gang.
In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax studios to shoot his second film, Mimic. During this time, his father, automotive entrepreneur Federico del Toro, was abducted in Guadalajara, Mexico. Although Don Federico was eventually released safely, there was intense economic pressure from their captors, to the degree that del Toro's family had to pay twice the amount originally asked. The event prompted Del Toro, his parents and his siblings to move abroad and live as expatriates.[3]
Guillermo del Toro has directed a wide variety of films, from action hero comic book adaptations (Hellboy and Blade II) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, El espinazo del diablo (The Devil's Backbone) and El laberinto del fauno (Pan's Labyrinth), are among his most critically acclaimed works. They share similar settings, protagonists (young children), and themes (including the relationship between fantasy/horror and the struggle to live under authoritarian or dictatorial rule) with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s.[4]
Del Toro, as interviewed on WNYC's Leonard Lopate Show, lists several fascinations that have become regular features in his films: "I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things." In recent interviews, he has stated that he has always been "in love with monsters. My fascination with them is almost anthropological... I study them, I dissect them in many of my movies: I want to know how they work, what the inside of them looks like, [and] what their sociology is." He also mentions as influences Arthur Machen, Lord Dunsany, Clark Ashton Smith, H.P. Lovecraft, Jorge Luis Borges and Juan Rulfo.
He is close friends with two other prominent and critically praised Mexican filmmakers, Alfonso Cuarón and Alejandro González Iñárritu. The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth. Del Toro turned down The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe to do Pan's Labyrinth, for which he also received a Nebula Award for Best Script.[5] He has also turned down a chance to direct I Am Legend, One Missed Call (2008), Halo, and even Harry Potter and the Half-Blood Prince, whose predecessor was directed by Cuaron, to work on Hellboy II: The Golden Army.
Several of del Toro's films have included Ron Perlman as the main or secondary actor. This includes Blade II and the Hellboy movies for which he had to petition for seven years to have Perlman in the role of Hellboy due to the fact that the producers originally wanted someone better known.
Del Toro has also contributed to the cinema website Trailers From Hell,[6] including a commentary on the trailer for Dead and Buried.[7]
In April 2008 del Toro was officially announced as director of The Hobbit in J. R. R. Tolkien's The Lord of the Rings series alongside executive producer Peter Jackson.[8] Del Toro stated that "Contributing to the 'Lord of the Rings' legacy is an absolute dream come true." Del Toro originally planned to live in New Zealand for the next four years with his wife and daughters.[9][10] As a consequence of his taking on The Hobbit, projects he had been planning to take on in the next few years, including a follow-up to Hellboy II: The Golden Army, were put on hold. "I think we would all come back to do a third Hellboy," said Del Toro in an interview with IGN, regarding a third movie in the franchise. "If they can wait for me to get out of Middle-earth, but we don't know. Ron may want to do it sooner, but I certainly know where we're going with the movie on the third one."[11] In a separate interview, Del Toro remarked that in comparing the trade-off of doing personal projects for The Hobbit, "It's a great cancel."[12] As of May, 30, 2010, del Toro has stated he is no longer directing the movies based on The Hobbit, due to an extended delay brought on by MGM's financial troubles, but will continue co-writing the screenplays.[13]
After The Hobbit and its follow-up, Del Toro was scheduled to direct four films for Universal; Frankenstein; Dr. Jekyll and Mr. Hyde; a remake of Slaughterhouse-Five; and Drood, an adaptation of a Dan Simmons novel published in February 2009.[14] He still has his sights set on filming At the Mountains of Madness by H. P. Lovecraft, a project on which Lovecraft expert S.T. Joshi would act as consultant. Drood is expected to be his first project after the two films set in Middle-earth. These projects would have filled up his schedule until 2017.[15] Part of the Universal deal entails continuing research and development for the creatures in At the Mountains of Madness.[16] In June 2009, Del Toro said he would only direct Frankenstein and just produce Dr. Jekyll and Mr. Hyde.[17] Del Toro is also in the early stages of development of Saturn and the End of Days.[18]
Del Toro said his Frankenstein would be a faithful "Miltonian tragedy", citing Frank Darabont's "near perfect" script, which evolved into Kenneth Branagh's Frankenstein.[19] Del Toro said of his vision, "What I’m trying to do is take the myth and do something with it, but combining elements of Frankenstein and Bride of Frankenstein without making it just a classical myth of the monster. The best moments in my mind of Frankenstein, of the novel, are yet to be filmed [...] The only guy that has ever nailed for me the emptiness, not the tragic, not the Miltonian dimension of the monster, but the emptiness is Christopher Lee in the Hammer films, where he really looks like something obscenely alive. Boris Karloff has the tragedy element nailed down but there are so many versions, including that great screenplay by Frank Darabont that was ultimately not really filmed."[20] He has also cited Bernie Wrightson's illustrations as inspiration, and said the film will not focus on the monster's creation, but be an adventure film featuring the character.[21] Del Toro said he would like Wrightson to design his version of the creature. The film will also focus on the religious aspects of Shelley's tale.[22] Del Toro has stated that production on Frankenstein most likely will not begin for at least four years.[23] Despite this, he has already cast frequent collaborator Doug Jones in the role of Frankenstein's monster. In an interview with Sci Fi Wire, Jones stated that he learned of the news the same day as everybody else; that "Guillermo did say to the press that he’s already cast me as his monster, but we’ve yet to talk about it. But in his mind, if that’s what he’s decided, then it’s done...It would be a dream come true."[24] Regarding his Jekyll-and-Hyde film, Del Toro said he had a "perverse" take in mind where Jekyll becomes addicted to transforming into Hyde. Both films will be period pieces.[25] He has also expressed interest in video games after the Hobbit project, and hopes to be able to create a "Citizen Kane of games."[26]
As of September 11, 2009 it has been made known that Guillermo del Toro has signed on with The Walt Disney Company to create a new label known as Disney Double Dare You. This new label will seek to create family friendly, all-ages animated projects that still manage to thrill and frighten.[27]
In June of 2010 news came that Del Toro would be writing and producing a brand new take on the story of Van Helsing. There is no word yet on if he will direct or not.[28]
At Comic Con 2010, del Toro made the surprise announcement that he will co-write, produce, and likely direct a 3D reboot of The Haunted Mansion for Disney. Del Toro says the film will stray away from the comedic nature of the 2003 film and will revolve around the Hatbox Ghost from the ride. [29]
On June 2, 2009 Del Toro released his debut novel, The Strain, which he co-authored with Chuck Hogan. It will be the first part of a vampire trilogy.
Guillermo del Toro is married to his high school sweetheart Lorenza Newton, cousin of Mexican singer Guadalupe Pineda. He fell in love with Lorenza when both were studying at the Guadalajara School of Sciences and became inseparable since. He currently lives in Wellington, New Zealand with his wife Lorenza and his two daughters, Mariana and Marisa.[3]
In 2009, in an interview with Charlie Rose, del Toro described his Roman Catholic upbringing as excessively "morbid," saying "I mercifully lapsed as a Catholic, I say, but as Buñuel used to say, "I'm an atheist, thank God." Though insisting he's spiritually "not with [Buñuel]" and that "once a Catholic, always a Catholic, in a way," he followed by saying, "I believe in man. I believe in mankind, as the worst and the best that has happened to this world."[30]
Year | Film | Credited as | ||
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Director | Writer | Producer | ||
1986 | Dona Herlinda and Her Son | Yes | ||
1993 | Cronos | Yes | Yes | Yes |
1996 | Borthwick, le retour | Yes | Yes | |
1997 | Mimic | Yes | ||
1998 | Un Embrujo | Yes | ||
2001 | The Devil's Backbone | Yes | Yes | Yes |
2002 | Asesino en serio | Yes | ||
Blade II | Yes | |||
2004 | Crónicas | Yes | ||
Hellboy | Yes | Yes | ||
2006 | Hellboy: Sword of Storms | Yes | ||
Pan's Labyrinth | Yes | Yes | Yes | |
2007 | Hellboy: Blood and Iron | Yes | ||
The Orphanage | Yes | |||
2008 | While She Was Out | Yes | ||
Rudo y Cursi | Yes | |||
Cosas insignificantes | Yes | |||
Hellboy II: The Golden Army | Yes | Yes | ||
2009 | Splice | Yes | ||
2010 | Biutiful | Yes | ||
Julia's Eyes | Yes | |||
2011 | Don't Be Afraid of the Dark | Yes | Yes | |
2011 | At the Mountains of Madness | Yes | Yes | |
2012 | The Haunted Mansion | Yes | Yes |
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